Ally Rosenberg

Better in the Flesh I, II, II
Ceramic tiles, marble, Jesmonite, emulsion, OSB board
I’m Done, 2023
Marble, plywood, steel

Untitled Art, Miami Beach, 2023

Dump, 2023
Bricks
Dimensions variable

Wink Wink, Whitaker Museum, curated by Garth Gratrix

Fully English / Leg Man / Farmisht / Red Blooded / Pulke Dot, 2023
Ceramic tiles, marble, Jesmonite, paint, OSB board
Dimensions variable

2 For 1, Curated by Thorp Stavri, 2023

Over Growth / Under Growth
Ceramic tiles, frosted acrylic, Jesmonite, emulsion, OSB board
99 x 114 x 11cm / 104 x 107 x 11cm

Untitled Art, Miami Beach 2022

Meet Me at the Arse-End of Nowhere, 2022
OSB board, Jesmonite, emulsion, steel brackets
152 x 200 x 100cm

Friday Night Pisher, 2022
Ceramic tiles, Rosa marble, plywood
110 x 110 x 4cm

Installation images from Long Shadows, 2022
Solo show, Dio Horia, Athens

Installation images from On Solid Ground, 2021
Solo show, The Bomb Factory, London

There Lay My Poor Old Life, Arse Over Tip, 2021
Bricks, rubble, skip
Dimensions variable

Factory Project, Skip Gallery, Thorp Stavri, 2021

Very, Very Cloud-Shaped, 2021
OSB board, ceramic tiles, steel hinges
210 x 64 x 90cm

Assumptions Assumptions, 2021
Expanding foam, OSB board, ceramic tiles, steel hinges, lacquered paint
103 x 72 x [variable]cm

As a Fact of Matter (I, II & III), 2021
Marble, expanding foam, OSB board, lacquered paint
60 x 90 x (variable)cm

As a Fact of Matter (IV, V & VI), 2021
Marble, expanding foam, OSB board, lacquered paint, polystyrene
60 x 90 x (variable)cm

Homunculus, 2020
Papercrete, straw, emulsion
3.57 x 2.18 x 1.60m

Some Compliments Aren’t Worth Accepting, 2020
Papercrete, reconstituted foam, silicone, earth pigments, steel hinge
120 x 60 x 70cm